Diptych Press logo, a two-headed creature in black on gold, beside a blue and gold marbled pattern

Diptych Press

Brand IdentityWebsitePrint + Digital Media

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Diptych Press is an independent literary publisher that pairs two seemingly unrelated texts in thoughtfully curated dialogue, illuminating unexpected connections between writers across literary and linguistic traditions. Each text holds its own, but together the pairings reveal surprising resonances. The press also hosts events that invite translators, writers, and readers to dig deeper into the connections between the works they publish.

The visual system was developed to support Diptych’s initial fundraising and development phase, with plans to expand as they begin publishing and building their catalog. The identity celebrates the imprint’s core duality through a medieval, diptych-inspired design system. Ornamental patterning and rich, warm tones evoke the decorative traditions of medieval illuminated manuscripts and the Arts & Crafts movement, grounding the press in a deep reverence for the printed word. At the center of the identity is the amphisbaena, a mythical two-headed creature that embodies the conversation between each pair of books.

Medieval manuscript illustration of an amphisbaena, a two-headed serpent
Gold and red toile pattern with riders and landscapes Line drawing of a striped figure holding a camera, on red Blue and gold marbled pattern Line drawing of a seated, cloaked figure reading, on gold
Line drawing of a flower, on dark blue Gold and blue feathered marble pattern Illustration of a bee, on cream Cream poppies on red
Website: Diptych Press homepage, the logo and an introduction over a marbled pattern
Website: submissions page, Send us your stuff, with a poppy pattern

The visual identity draws from the rich color palette and ornate beauty of medieval diptychs and illuminated manuscripts, employing split-screen compositions and paired elements that mirror the publisher’s two-book model. Clean typography, bold patterning, and varied illustration styles sit alongside the historically rooted logo and warm palette, giving the publisher a feel that is both scholarly and fresh.

Social graphic: a decorated panel beside a painted portrait of a woman Social graphic: the two-headed creature in black on red Social graphic: Visit diptychpress.com for more info, on a poppy pattern Social graphic: a pair of old manuscript pages on dark blue Social graphic: A home for conversations about international literature Social graphic: a landscape painting beside a classical engraving, on red Social graphic: Send us your stuff, a call for submissions Social graphic: ink paintings of cranes, on black Social graphic: about Diptych Press, text over a marbled pattern Social graphic: a gilded altarpiece beside a painted shell, on gold Social graphic: Diptych Press logo on dark blue Social graphic: the amphisbaena manuscript illustration
Three stacked book spines: Niles Peppertrout, Inverness McKenzie and Ruby Von Rails Enamel pin of the two-headed creature, on red
Tote bag printed with medieval paintings Diptych Press bookmark tucked into a red book
Laptop showing the Diptych Press submissions page
The creature mark stamped in gold foil on dark teal Postcards printed with paintings and patterns
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